Auspicious Horizons
About the Artwork
Cecilia and Barnard, in profound homage to their mentors' legacy, created Auspicious Horizons - a breathtaking ensemble of rattan and wood art installations, masterfully sculpted in the form of the auspicious dragon and phoenix. The symbolism of these legendary creatures - a potent emblem of prosperity, happiness and marital harmony - finds its rightful place in life's most momentous celebrations, from weddings to festivals.
Story of Rattan Industry
Rattan is a type of vine that grows in tropical climates. It is strong and flexible, making it an ideal material for furniture. For centuries, rattan furniture has been popular in countries like China and India. In the early 20th century, the demand for rattan furniture began to spread to other parts of Asia, including Hong Kong. During the same period, a large influx of Chinese immigrants brought skilled rattan craftsmanship to Hong Kong.
Rattan wares were very popular in Hong Kong during the 1950s and 1960s. From shopping baskets for housewives and school bags for students to household items such as baskets and furniture, rattan goods were practical, environmentally friendly and aesthetically pleasing. Rattan factories, often operating also as retail shops, were widespread throughout Hong Kong. At its peak, over 200 rattan shops were operating throughout the city.
However, this golden era did not last. Making rattan wares was complicated, with many steps and much care required. The products could easily take a day or two to complete, but sometimes more than a month. As the years went by, despite the beauty and durability of the rattan products, the industry slowly went into decline due to the time and labor-intensive making process, low profitability, the decreasing number of apprentices, as well as the rise of plastic.
In the 1980s, mass-produced products began to flood the market, further driving down prices and putting pressure on handmade businesses like rattan shops. Today, only a handful of these shops are still operating in Hong Kong. They have managed to survive by catering to a niche market of customers who still appreciate craftsmanship and handmade quality.
Making Process
The creation of Auspicious Horizons demonstrates a meticulous approach to framework construction. It begins with a foundational structure, built using refined weaving techniques. By expertly heating the rattan pieces with open flame, they are made malleable for manipulation. Intricate patterns and secure knots reinforce this structure, providing a base for the final embellishments. Barnard Chan and Cecilia Lai's artistry is evident in the vibrant scales and braided feathers of the dragon and phoenix installations.
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